Awesome La Terrazza Film Completo Images

May 20, 2018 8:23 am by ramsaystirling
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Awesome La Terrazza Film Completo Images

In June of 1791, a group of passengers in a stagecoach find themselves caught up in the events of the French Revolution, when they find themselves in the city of Varennes when … See full summary »

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Four generations of a family live crowded together in a cardboard shantytown shack in the squalor of inner-city Rome. They plan to murder each other with poisoned dinners, arson, etc. The … See full summary »

Soundtracks Concerto N.8 in La Minore by Antonio Vivaldi See more »

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A salesman chasing by car a beautiful female biker in order to flirt finds a castle where he is accused in a game trial for murder.

We follow five friends at the same party. A writer, a producer, a director, a politician and a journalist. There they meet new and old flames and quarrel a bit. All are experiencing an intellectual and emotional crisis.

I loved the many subtle symbols in this film. For instance, the young girlfriends; Sergio who is not eating; the crisis of being a leftist (‘I’m much more left-wing than you!’); the success of women.Even better is Scola’s mockery with intellectualism.

As you sometimes hear at parties people say: ‘Mannerism is out of fashion’, and you haven’t got an clue what the purpose is of this comment. Every character here thinks himself as being witty, except the producer, and it is precisely him who produces a dramatic masterpiece that is praised by the intellectual elite.

Scola portrays disappointments beautifully – it is seen between the lines, as it was as well in Brutti, sporchi e cattivi. So, I highly appreciated this film, but you have to bear in mind it is a film of almost three hours.

A perfect film for a rainy Sunday.

Enjoy a night in with these popular movies available to stream with Prime Video.

Ettore Scola has made at least two great films, C’eravamo tanto amati and Une giornata particolare. But this time he got carried away. It’s not enough to put 20 great actors in a room to end up with a masterpiece.

Call it self- indulgent, call it intellectual masturbation, I call it boring. Sorry, Ettore.

Two neighbors, a persecuted journalist and a resigned housewife, meet during Hitler’s visit in Italy in May 1938.

Rai Cinema Club – La terrazza Durata:02:26:00 Andato in onda:03/08/2017 Visualizzazioni:

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Plot Keywords: one location | typewriter golf ball | typewriter | politics | flashback | See All (9) »

Ettore Scola seemed to epitomize Italian cinema in the 70’s and early 80’s. What great films he did: We All Loved Each Other so much, Ugly Dirty and Bad, A Special Day (for me it’s Mastroianni’s best), Passion of Love (incredible story of beauty and ugliness), Le Bal, etc.

Where directors like Bertolucci and Bellochio seemed to lose their way in political argument, Scola stayed on his feet and created wonderful satires of bourgeois complacency.The Terrace is too long–almost three hours–and too loaded with characters to have much force.

The political and social problems described here seem obscure and distant from us in time. The speech Mario gives to the PCI congress is well done (he’s asking for forgiveness for his adultery with Giovanna) but hasn’t much dramatic effect.

Much better are the little touches: the elderly waiter dragging the wagon over the tile floor, making an awful screeching sound as Luigi and Carla dine; the workmen who reduce the size of Sergio’s office in ten seconds flat–wonderful effect; Sergio trying to talk to the head of RAI in the latter’s office, with the huge Grecian bust between them, very funny.

I should point out that far too much of the comedy misses its mark and falls flat: I don’t know what Scola was trying to do with Enrico’s writer’s block and the finger in the pencil sharpener. Marie Trintignant appears as eye candy throughout the film and serves no purpose in the story.

If you choose to watch this, get ready to hit the fast forward button.

Traces events in the life of Carlo, from his christening in 1906, where his grandfather reminds his father that Carlo means “free man,” to his 80th birthday party. The film principally … See full summary »

Stars: Nino Manfredi, Maria Luisa Santella, Francesco Anniballi

Adorable, intelligent and politic driven movie. The best Italian director ever commands great actors and conducts the audience through a journey of passionate and bitter fellows who dare to fight for their beliefs.

In La Terrazza there are some amazing speeches – which I don’t recall exactly – about every human being’s right to happiness and love.Maybe I liked it so much because I’m already a big fan of Ettore Scola.

I also recommend his masterpieces “C’eravamo Tanto Amati” (the best Victorio Gassman performance) and “La Cena” (the last Gassman appearance).

Ciao . Esci da My Rai.Tv Modifica i tuoi dati My home I miei programmi I miei preferiti

A father and his son who lived seperated for some time meet each other one day and try to talk their problems over and understand their diametrical differences.

Stars: Marcello Mastroianni, Monica Vitti, Giancarlo Giannini

Edit Cast Cast overview, first billed only: Vittorio Gassman … Mario Ugo Tognazzi … Amedeo Jean-Louis Trintignant … Enrico D’Orsi (as Jean Louis Trintignant) Marcello Mastroianni … Luigi Stefania Sandrelli .

.. Giovanna Carla Gravina … Carla Ombretta Colli … Enza Galeazzo Benti … Galeazzo Milena Vukotic … Emanuela Stefano Satta Flores … Tizzo Serge Reggiani … Sergio Agenore Incrocci … Vittorio (as Age) Leonardo Benvenuti .

.. Un ospite Ugo Gregoretti … Altro ospite Lucio Lombardo Radice … Himself

Several episodes depicting Italian’s life in short humoristic stories.

A three-way love affair in the Rome of the early seventies. Construction worker Oreste and young fiancee Adelaide meet Nello, cook in a pizzeria. This love triangle often go to communist … See full summary »

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Production Co: Dean Film, International Dean, Les Films Marceau-Cocinor See more »

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel. An English language lesson turns into a killing of a … See full summary »

Boring???maybe for who doesn’t know or understand the Italian situation of the early eighties, and that typical attitude of the left-side radical chic inhabitants of Rome.I do,and I appreciated this movie a Lot.

Scola fails so rarely,and this wasn’t the case.A great cast made a great movie,probably one of the last successful “Italian comedy” ever.Everything works fine,from the narrative stile of the director,which shows once again how well he can deal with a crowded set,to the script,written as always by himself.

Gassman and Satta Flores above all.I wish this movie was more known abroad,24 years are past,but it never lost its taste,still actual and ironic as it should beClaudia

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Expensive vines, tables filled with food, but emptiness inside. Everyone has stopped developing, and fastened in their roles. Hurtful, but still funny story about human development.

Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets… See full summary »

LA TERRAZZA di Ettore Scola – I/F – 1980 – 145’ Con MARCELLO MASTROIANNI, VITTORIO GASSMAN, UGO TOGNAZZI, SERGE REGGIANI Una bella e grande terrazza che si affaccia sul centro di Roma è spesso teatro di serate mondane, dove i partecipanti sono esponenti della borghesia intellettuale della capitale. Gli invitati sono molti, si conoscono fra loro, alcuni lavorano anche nello stesso settore. Fra tutti spiccano Luigi (Mastroianni), giornalista politico vecchio stampo, alle prese con le agitazioni del comitato di redazione del suo quotidiano; Luigi vuole riconquistare la sua ex, diventata celebre conduttrice tv. Mario (Gassman) è uno stanco e disilluso deputato di mezza età del PCI, che si trova coinvolto in una situazione simile a quella vissuta molti anni prima dal “Migliore”, ossia Palmiro Togliatti, quando quest’ultimo aveva iniziato la sua relazione sentimentale con Nilde Iotti; sposato, Mario si innamora di una bella e giovane pubblicitaria, trovandosi poi combattuto fra la morale pubblica e la personale felicità. Sergio Stiller (Reggiani) è un dirigente RAI perennemente a dieta da sfiorare l’anoressia, depresso e amareggiato dalla sua azienda che non sente più sua. Amedeo (Tognazzi) è un produttore cinematografico di opere di serie B il quale, pur di andare incontro ai desideri della sua donna, decide di realizzare un film lontanissimo dalle sue corde, per giunta con un regista a dir poco spocchioso. Tutti in terrazza, è ora di mangiare! Impossibile raccontare l’intera trama in poche righe, magari descrivendo le singole vicende di tutti i personaggi che Scola ha riunito sul suo set “all star”, pertanto vi suggeriamo la visione del film non prima però di aver fatto una ricerca in qualche libro di storia del cinema, o anche semplicemente nel web. Riguardo al cast, alla rinfusa citiamo Carla Gravina, Palma d’Oro come miglior attrice non protagonista, qui è Carla, l’ex di Luigi; Stefania Sandrelli è Giovanna, seduttrice di Mario; Ombretta Colli è Enza, la moglie di Amedeo. Molte le curiosità nel film di Scola, ne segnaliamo solo alcune. Stefano Satta Flores è un critico cinematografico, ruolo analogo interpretato sei anni prima sempre per Scola in “C’eravamo tanto amati”; Marie Trintignant, figlia di Jean-Louis, anche lui nel cast, morta nel 2003 in seguito delle percosse ricevute dal marito, nel film è la bella diciottenne che attira la curiosità di Luigi; Galeazzo Benti e Francesco Maselli interpretano se stessi, idem per Lucio Lombardo Radice, storico dirigente del PCI; la sequenza del programma che Luigi guarda in tv è ispirata al processo per il massacro del Circeo avvenuto cinque anni prima. Alcuni attori e/o comparse sono straordinariamente (e volutamente) somiglianti a Eugenio Scalfari, Alberto Moravia e Nanni Moretti. Infine il progetto che Sergio vorrebbe far produrre dal Presidente della Rai è “Il viaggio di Capitan Fracassa”, film che Scola realizzò dieci anni dopo. Ma questa è un’altra storia. UMBERTO BERLENGHINI

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Good opportunity to see once again Scola’s great sense of criticism and love for Italian contemporary society, mixing in a tragicomic way politics, middle-age crisis, failing marriage, love, infidelity, suicide, friendship, the rôle of intellectuals.

His great ensemble direction rivals Robert Altman’s. And just have a look at that cast – Mastroianni (effective as always), Trintignant (always so surprising), Tognazzi (in charge of his difficult rôle), Gassman (what a superb actor!), Reggiani (moving), the lovely Stefania Sandrelli and a débutante very young Marie Trintignant.

For those who like Italian cinema and politically oriented films with a touch of humor. 8/10

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Gianni, Nicola and Antonio become close friends in 1944 while fighting the Nazis. After the end of the war, full of illusions, they settle down. The movie is a the story of the life of … See full summary »

Stars: Jean-Louis Barrault, Marcello Mastroianni, Hanna Schygulla

An evening at an Italian restaurant. Hosted by tolerant and relaxed Flora, various parties of middle-class people come in — large and small, young and old, regulars and tourists, married … See full summary »

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